A note from the author:

2 August 2012: I've signed on to author a blog for wine retailer Winenabber.com. Check it out at nabberjabber.wordpress.com




Closing in on one year blogging with you, and things are astir. I must begin by graciously thanking each of you for allowing my thoughts and reflections on wine to be a small part of your lives. I truly consider your willingness to value and trust my own impressions a humbling privilege.


For those new to my writing (and I'm enormously excited by the sheer quantity of new readers!), I would like to state simply the foundational belief that informs every facet of my professional career: If you choose to approach wine with an open mind it will provide you unique and genuinely rare beauty and enrich your life.


My hope with this blog is that I nudge you further into a life with wine and that the wines I recommend provide you ongoing pleasure. I believe strongly that living with wine is much better than living without it. With that said, when I began my professional career several years ago it was incredible how much I valued what other wine writers had to say about the wines I drank. I couldn't have imagined how quickly I would grow to so deeply cherish and nurture and passionately express my own feelings.


If you've read this far and feel worried that you can't know anything, that your palate lacks sophistication and precision, or that you should have known by now if you had a passion for the juice, let me say this: forget that forever. Trust your palate and your own impressions. Seriously. Lose the "know-nothing" doctrine and suddenly, instantly, new and astonishingly authentic pleasures will appear before you. This is True. Wine has enriched the life of literally every person I know who hasn't arbitrarily pushed back at it.


How can anyone change directions so quickly? My advice is to habitualize clear mindedness and be attentive. I call this "productive concentration." "Productive" because one is intellectually rewarded for patience and focused reflection. If we trust our own impressions and are willing to remain honest with ourselves, and if new experiences force us to rethink or even abandon our previous positions , and if our views and beliefs remain fluid and syncretic and difficult to neatly articulate, then I say all the better. Not to mention how much more interesting.


In a sense, experiencing and enjoying great wine is much easier than this approach may initially appear. After all, drinking wine is simple. Wine enters our glass, our nostrils, our mouth, our belly. And, hopefully, this sequence is remarkably enjoyable and merits much repeating. But inside of each of us is a certain place, some deepest part of our being, a part which no other animal that has ever lived on this planet has possessed, an indescribably deep and meaningful well where our most ineffably beautiful humanity finds repose. And wine goes there, too.


A dear friend posed the question recently, "Can you put into words the experience of tasting great wine?" I thought about the question for a minute, and thought about how my favorite wines have made me feel. I responded, "Experiencing great wine is like scratching some gargantuan itch you never knew you had." Wine expands our consciousness, and, often, dramatically alters our perception of what was already there. Wine asks us to spend time with ourselves, know ourselves, makes us feel a certain way, and gives us something beautiful to reflect on.


I am certain that the best approach to both life and one's craft is to talk to people, listen intently, then reflect and figure out how to open new and better avenues of meaningful communication. There is no objective guide to wine writing. Regardless, one finds one's way. And, I think, better is the way that most often leads oneself and others toward distinctive deliciousness, authentic and meaningful experiences, and a heightened awareness of beauty in our world.


In the end, there are only two questions one needs to entertain in evaluating a particular wine. (The third is actually unessential but, I find, meaningful):


1) Is this wine beautiful?

2) How does this wine make me feel?

3) What is being said and how is it being said?


Our world is crowded and moves quickly. Wine begs for another approach. Wine is inherently needy: it admittedly asks much of us. To appreciate wine, we must choose participation over spectation. The wine lover's life is a journey that slowly and unexpectedly reveals an ever greater awareness of what really speaks to us as a human being. That something is one's own sense of and search for the beautiful that, I sincerely hope, increasingly quenches its thirst through this astonishingly splendid miracle of liquidity.


A special mention of thanks to family, friends and guests for their support and continued interest in the world of wine.

May your exploration of wine be pleasurable and your glass remain (at least) half full,


Jason Jacobeit


Scores - Scores are my subjective analysis of the inherent qualities of a wine with considerations made for vintage-specific typicity, overall balance, and, where applicable, ageability.


As for the numerical scores themselves, use this adumbrated guide as a suitable stand-in for objective precision:

Below 80 Wines are flawed in some respect. Ultimately, these efforts will not merit recommendation.

80-84 A wine without overt technical flaws, but lacking distinctive or exciting aromas and flavors. Modern winemaking allows for an ocean of bulk wine production the results of which often fall within this range.

85-89 Solidly constructed, varietally accurate and most importantly, delicious wine. These are usually terrific table wines and often define the sweet spot for value.

90-94 Engaging and complex, wines in this range are exceptionally balanced. Knockout juice.

95-100 Wines of impeccable harmony, precision and depth. The apotheosis of the art of winemaking, wines here are beautifully crafted, thrilling and emotional.

Pricing - prices provided in reviews are generally release prices unless dramatically altered. When the latter is the case, it will be specified.

Quality/Price Ratio (QPR) - The QPR index will be an excellent way to navigate a large number of reviews quickly and efficiently. That said, I strongly suggest that particular regions and, where further differention is possible, varietal wines and blends be evaluated separately and on their own terms.
For example, many Spanish regions produce remarkably concentrated grapes from old vines that are consistently vinified into tasty, value-priced wines. The QPR range for these wines will, therefore, be relatively high. Contrastingly, Nebbiolo-based wines from Piedmont are more difficult to consistently ripen and vinify, production is more stringently controlled and the wines, generally speaking, more internationally sought. It is therefore nearly impossible to find varietal Nebbiolo, whether Barolo, Barbaresco or declassified crop, that delivers outstanding quality at under $20. The Piedmontese QPR index will thus be lower relative to their previously sketched Spanish counterparts. In the end, initiated readers will make wise consumer choices based on a variety of factors, including an understanding of the broader contours of the wine market.

Thursday, December 15, 2011

Various Tasting Notes, Mostly Austria

Thanks to Kris Nelson of Vermont Wine Merchants for another revealing and thoughtfully constructed tasting.  I must say that one-on-one styled, intimately set tastings continue to be my preferred modus operandi (especially with a rep I have come to trust), if only because the physical space afforded and abscence of a bullishly commercial atmosphere gels more with my view of wine as a beverage of pleasure as opposed to a mere consumer commodity.


I feel compelled to simply express how impressed I continue to be with the general direction of Austria's wine culture.  There are still too many insipid, overcropped and uninspiring wines to be found, but they seem to be showing up less frequently in the marketplace.  As the follow notes suggest, there are a growing number of growers and producers whose insistence on naturally made and, increasingly, estate-bottled wines augur well for their future.  While the Wachau, Kremstal, and Kamptal remain the most consistent areas for beautifully rendered and, indeed world class wines (mostly whites), there are a bevy of superb wines to be found in the vast, geologically heterogeneous tracts of land to the southeast.  


Of these regions, Carnuntum seems forwardly placed to stamp itself as the epicenter of quality oriented reds.  The native grapes Zweigelt and Blaufrankisch thrive in this easterly region, and international varietals including Cabernet Sauvignon, Merlot, and Syrah are being planted with greater frequency, with a handful of producers making convincing wines with still attractive price tags.  The best producers in Carnuntum, whether working with varietal wines or blends, seem to capture a sense of concentration and distinctiveness wedded to understated and polished structures that, in terms of consistency of execution, seem to me to elude the reds of Austria's other wine regions.


A number of the wines in this report are imported by Michael Skurnik, with many selections made by one of his associates, Terry Thiese.  Especially for those lacking experience with Austrian wines (or any imported wines for that matter) it would be difficult to overstate the crucial role of the importer.  In fact, I would go as far as stating that for the consumer a good importer is as valuable a piece of information as one can find on a wine label.  I may risk sounding like a broken record, but importers who proudly represent the wines of organic/biodynamic estates and producers intent on bottling, except in rare circumstances, without fining or filtration are most worthy of consumer attention.  Names like Michael Skurnik and Kermit Lynch on the back of a wine label will never assure the consumer of a profoundly complex and ageworthy wine, but they are rarely another manifestation of the inexpressive and distressingly denuded wine whose only "merit" is that it possesses "no hard edges."  Only that those days were entirely in the past!

For the convenience of readers, wines are listed by points and in descending order.  I am avoiding adding notes on producers for reasons of space.  Wines scored below 85 are scored but not afforded tasting commentaries.  All are ready to drink unless otherwise noted.

Austria

92 - 2009 Schloss Gobelsburg Gruner Veltliner "Renner," Kamptal

The 2009 "Renner," hails from the famous Gaisberg vineyard located on the river Kamp, a northern tributary of the Danube.  A perfumy bouquet offers lemon meringue, flowers, sweet spices and Gruner's telltale green bean/herbal pungency, while the palate captures a lean, driven, powerful character that is rare in this early-ripening vintage.  Today this comes across as perhaps a touch young, but its concentration, seamlessness and length suggest at least half a dozen years of outstanding drinkability. 

90 - 2009 Ludwig Hiedler Gruner Veltliner "Loss," Kamptal

The 2009 Gruner Veltlines "Loss" is grown entirely on parcels with a high occurrence of Loess, a yellowish, ashy soil created by receding glaciers during the last ice age.  This soil drains expressly and efficiently, forcing wines to pursue deep root structures to assure themselves of a ready water supply.  Vivid aromatics redolent of candied lemons, flat Sprite and dried apricots lead to a surprisingly tropical, almost honeyed character on the palate, with a very sexy underlying exoticness.  There is a wonderful richness here, and a well-mannered finish.

89+ - 2010 Leth Gruner Veltliner "Steinagrund," Traisental

Hailing from Loess-bedecked and rocky terrain of the Traisental region south of the Wachau, the 2010 Leth "Steinagrund," ("stony soil") leads with notes of ripe pears, white pepper and flowers.  I like the density of flavors allied to the prominent acidity that characterizes so many 2010s, lending the wine a slender attractiveness.

89+ - 2008 Glatzer Blaufrankisch, Carnuntum


I am ecstatic to have discover the wines of Walter Glatzer, an organic producer stationed in Carnuntum (for more on which, see above).  His 2008 Blaufrankisch is scented like a well-endowed Sonoma County Syrah, with beautifully sculpted aromas of roasted herbs, cherry jam and game that impress for their length and ripeness, while an expressive detail of dark chocolate emerges on the finish.  Firmly structured and beautifully rendered.

88 - 2007 Glatzer Zweigelt Riedencuvee, Carnuntum  


More supply textured is the 2007 Zweigelt Reidencuvee, a pleasure-bent offering that houses flavors of worn leather, frying bacon, smoky raspberries within a lip-smacking, dares-you-not-to-take-another-sip sort of style.  Nice background details for the more prominent and eminently enjoyable dark cherry and raspberry character.   

87 - 2010 Rotes Haus Amnussberg Gemischter Satz Classic, Vienna 

This belongs to a class of wines called "Gemischter Satz."  Such labeling denotes a wine produced from a number of white grape varieties grown in the same vineyard and harvested on the same day.  No grape-specific differentiation is permitted during sorting or fermentation in this very traditional style of winemaking.  Of the two tasted here, I preferred the 2010 Rotes Haus Amnussberg Weiner Classic for its greater depth of flavor, including a distinctive hazelnut edge to the lemon starburst flavors that detonate on the palate.  A touch of residual sugar is briskly housed in this piquant white that harbors a healthy acidity and an elegant, charming demeanor.

85 - 2010 Weingut Christ Gemischter Satz,Vienna 

Also enjoyable is this offering from Weingut Christ, a wine laced with pretty notes of white peaches, flowers, melon and cinnamon as well as nice aromatic persistence.  Only a surprisingly short finish proves penalizing.

85 - 2009 Heidi Schrock Weinbauerin in Rust Weissburgunder, Neusiedlersee 

I am surprised I eventually succumbed to the virtues of this wine considering its initial blue cheese and aging produce-inflecked bouquet.  Most of those odd details blew off with air, giving way to fresh, even vibrant flavors that evoke orange and orange rind and a touch of tropical fruit.  I'm not always convinced about the qualities of Weissburgunder, but this delicious effort leaves me smiling.

85 - 2009 Weingut Christ Blauer Zweigelt Bisamberg, Vienna 

The 2009 conveys rich, almost candied aromas that seem a bit artificial to me.  There is no problem with drinkability here, although the monolithic profile and lack of genuine midpalate concentration disappoint.  After all that, the finish does its best to redeem things, revealing a balsamic, earthy edge.  I'd love to revisit this slightly perplexing Zweigelt in the near future.

81 - 2010 Martinshof Gruner Veltliner, Vienna


Other Various Tasting Notes

88 - 2008 Zind Humbrecht Pinot Blanc, Alsace, France

The 2008 Pinot Blanc flows with liquid dandelions, lemons and a hint of bitter greens.  A very distinctive and well-crafted Pinot Blanc, with a razor sharp acidity to keep everything in focus.  Impressive.

87+ - 2009 Mount Difficulty Pinot Noir, Central Otago, New Zealand 

The 2009 Mount Difficulty is a pleasant if somewhat uninspiring Pinot Noir, rendered in a style that favors purity and cleanliness of action that, to this taster, come at the expense of complexity and individuality.  Exhibits a noteworthy amplitude and fresh berry character on the palate, but remains adamantly one dimensional even with extended time in the glass.

87 - 2007 Ramsay Cabernet Sauvignon, North Coast, California 

An excellent value in North Coast Cabernet Sauvignon is the sweetly fruited 2007 Ramsay, which belies its outstanding vintage in its supple, silky tannins, while saturating the palate with fennel bulb, herbs, and sweet dark fruit tones.  This is nicely extracted, and represent outstanding value.  Delicious.

85 - 2009 Roth Cabernet Sauvignon, Alexander Valley, California 

Value-oriented readers might also seek out the 2009 Roth Cabernet Sauvignon Alexander Valley, crafted in a fresh, early drinking style that oozes mint, eucalyptus, and a slight notion of parched soil.  Its modest capabilities are betrayed on the back end, which becomes medicinal and astringent.  Still, there is a good deal to like at this price.

85 - 2010 Sean Minor Pinot Noir, Central Coast, California

The 2010 seems just a touch short on varietal character and vigor, as its cherry fruit leans closer to fruit roll up than fresh cherries, although healthy acid levels and pleasantly firm sense of structure must be counted as virtues.  I can't believe I'm saying this considering that the Sean Minor wines are almost always intended for immediate consumption, but a year or eighteen months in bottle may help shed some primary fruit, while lending greater polish to the tannins.  

83 - 2009 Stickybeak Pinot Noir, Sonoma Coast, California


82 - 2006 Zind Humbrecht Pinot Blanc, Alsace, France

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