Here is a recent interview I gave to Winenabber.com CEO Peter Rothschild discussing the wine program at Jessica's Restaurant. http://www.youtube.com/watch?v=x4M_kNgV2mw
A note from the author:
2 August 2012: I've signed on to author a blog for wine retailer Winenabber.com. Check it out at nabberjabber.wordpress.com
Closing in on one year blogging with you, and things are astir. I must begin by graciously thanking each of you for allowing my thoughts and reflections on wine to be a small part of your lives. I truly consider your willingness to value and trust my own impressions a humbling privilege.
For those new to my writing (and I'm enormously excited by the sheer quantity of new readers!), I would like to state simply the foundational belief that informs every facet of my professional career: If you choose to approach wine with an open mind it will provide you unique and genuinely rare beauty and enrich your life.
My hope with this blog is that I nudge you further into a life with wine and that the wines I recommend provide you ongoing pleasure. I believe strongly that living with wine is much better than living without it. With that said, when I began my professional career several years ago it was incredible how much I valued what other wine writers had to say about the wines I drank. I couldn't have imagined how quickly I would grow to so deeply cherish and nurture and passionately express my own feelings.
If you've read this far and feel worried that you can't know anything, that your palate lacks sophistication and precision, or that you should have known by now if you had a passion for the juice, let me say this: forget that forever. Trust your palate and your own impressions. Seriously. Lose the "know-nothing" doctrine and suddenly, instantly, new and astonishingly authentic pleasures will appear before you. This is True. Wine has enriched the life of literally every person I know who hasn't arbitrarily pushed back at it.
How can anyone change directions so quickly? My advice is to habitualize clear mindedness and be attentive. I call this "productive concentration." "Productive" because one is intellectually rewarded for patience and focused reflection. If we trust our own impressions and are willing to remain honest with ourselves, and if new experiences force us to rethink or even abandon our previous positions , and if our views and beliefs remain fluid and syncretic and difficult to neatly articulate, then I say all the better. Not to mention how much more interesting.
In a sense, experiencing and enjoying great wine is much easier than this approach may initially appear. After all, drinking wine is simple. Wine enters our glass, our nostrils, our mouth, our belly. And, hopefully, this sequence is remarkably enjoyable and merits much repeating. But inside of each of us is a certain place, some deepest part of our being, a part which no other animal that has ever lived on this planet has possessed, an indescribably deep and meaningful well where our most ineffably beautiful humanity finds repose. And wine goes there, too.
A dear friend posed the question recently, "Can you put into words the experience of tasting great wine?" I thought about the question for a minute, and thought about how my favorite wines have made me feel. I responded, "Experiencing great wine is like scratching some gargantuan itch you never knew you had." Wine expands our consciousness, and, often, dramatically alters our perception of what was already there. Wine asks us to spend time with ourselves, know ourselves, makes us feel a certain way, and gives us something beautiful to reflect on.
I am certain that the best approach to both life and one's craft is to talk to people, listen intently, then reflect and figure out how to open new and better avenues of meaningful communication. There is no objective guide to wine writing. Regardless, one finds one's way. And, I think, better is the way that most often leads oneself and others toward distinctive deliciousness, authentic and meaningful experiences, and a heightened awareness of beauty in our world.
In the end, there are only two questions one needs to entertain in evaluating a particular wine. (The third is actually unessential but, I find, meaningful):
1) Is this wine beautiful?
2) How does this wine make me feel?
3) What is being said and how is it being said?
Our world is crowded and moves quickly. Wine begs for another approach. Wine is inherently needy: it admittedly asks much of us. To appreciate wine, we must choose participation over spectation. The wine lover's life is a journey that slowly and unexpectedly reveals an ever greater awareness of what really speaks to us as a human being. That something is one's own sense of and search for the beautiful that, I sincerely hope, increasingly quenches its thirst through this astonishingly splendid miracle of liquidity.
A special mention of thanks to family, friends and guests for their support and continued interest in the world of wine.
May your exploration of wine be pleasurable and your glass remain (at least) half full,
Jason Jacobeit
Scores - Scores are my subjective analysis of the inherent qualities of a wine with considerations made for vintage-specific typicity, overall balance, and, where applicable, ageability.
As for the numerical scores themselves, use this adumbrated guide as a suitable stand-in for objective precision:Below 80 Wines are flawed in some respect. Ultimately, these efforts will not merit recommendation.
80-84 A wine without overt technical flaws, but lacking distinctive or exciting aromas and flavors. Modern winemaking allows for an ocean of bulk wine production the results of which often fall within this range.85-89 Solidly constructed, varietally accurate and most importantly, delicious wine. These are usually terrific table wines and often define the sweet spot for value.
90-94 Engaging and complex, wines in this range are exceptionally balanced. Knockout juice.
95-100 Wines of impeccable harmony, precision and depth. The apotheosis of the art of winemaking, wines here are beautifully crafted, thrilling and emotional.
Pricing - prices provided in reviews are generally release prices unless dramatically altered. When the latter is the case, it will be specified.
Quality/Price Ratio (QPR) - The QPR index will be an excellent way to navigate a large number of reviews quickly and efficiently. That said, I strongly suggest that particular regions and, where further differention is possible, varietal wines and blends be evaluated separately and on their own terms.For example, many Spanish regions produce remarkably concentrated grapes from old vines that are consistently vinified into tasty, value-priced wines. The QPR range for these wines will, therefore, be relatively high. Contrastingly, Nebbiolo-based wines from Piedmont are more difficult to consistently ripen and vinify, production is more stringently controlled and the wines, generally speaking, more internationally sought. It is therefore nearly impossible to find varietal Nebbiolo, whether Barolo, Barbaresco or declassified crop, that delivers outstanding quality at under $20. The Piedmontese QPR index will thus be lower relative to their previously sketched Spanish counterparts. In the end, initiated readers will make wise consumer choices based on a variety of factors, including an understanding of the broader contours of the wine market.
Wednesday, September 28, 2011
2008 Robert Denogent Puilly-Fuisse la Croix Vielles Vignes, Puilly-Fuisse, Burgundy, France
The 2008 features aromatic notions of sweet citrus fruits, apples and flowers. Medium-bodied and lithe on the palate, this Chardonnay harbors fresh acidity and shows little evidence of wood, with flavors that build toward a tangy, medium-lengthed close. Drink this easy-going, nicely paced effort over the next couple years.
Tuesday, September 27, 2011
2007 Castello d'Albola Chianti Classico, Chianti Classico, Italy
The generic 2007 Castello d'Albola displays straightforward aromatics of toast, vanilla, and dark cherries. It is a concentrated wine with low acidity and a plush mouthfeel, though its overriding oaky character seems to highjack the palate where classic Sangiovese character seems handcuffed by a strong flavors of cut wood. This has shown better on other occasions.
2008 Vinedos Terranoble Carmenere Gran Reserva, Maule Valley, Chile
2009 Domaine du Salvard Cheverny, Loire Valley, France
Sunday, September 25, 2011
2007 Anderson's Conn Valley, Eloge, Napa Valley, California
The prodigious 2007 Eloge is comprised of 65% Cabernet Sauvignon, 25% Cabernet Franc with the remainder Petit Verdot and Merlot. It carries a supremely complex nose of cedar, creme de cassis, tobacco and incense, followed by a beautifully complete, concentrated and intense palate with outstanding depth and poise as well as precision. Its wonderfully healthy, fresh acidity adds an unmistakably elegant dimension to the copious dark fruits, and the mid palate begins a crescendo of flavor and tremendous opulence that carries through to a long, monumentally satisfying finish that reveals earthy, soily undertones. This is a totally complete, masterfully constructed, gorgeous wine which will be fascinating to follow for at least two decades. Bravo!
Thursday, September 22, 2011
2007 Paul Jaboulet Aine, Parallel 45 Cotes du Rhone, Southern Rhone Valley, France
Wednesday, September 21, 2011
A tasting of inexpensive Spanish and Portuguese Reds
Tuesday, September 20, 2011
2009 O'Reilly's Pinot Gris, Columbia Valley, Washington State
The 2009 Pinot Gris disperses aromas of florist's shop, ripe pears and melon. The palate reveals a slightly oily texture as well as the requisite acidity to suggest its rightful home at the dinner table, and while definition becomes quite murky on the back end, this is quite pleasant. Its straightforward, fresh fruitedness will be best appreciated over the next year.
Wednesday, September 14, 2011
2007 Pasquale Pelissero Barbaresco, Bricco san Giuliano, Piedmont, Italy
Open-textured, warm and radiant, the 2007 Bricco San Giuliano is the estate's top wine vinified from Giorgio Pelissero's oldest vineyard parcels. This soft, seductive Barbaresco is possessed of elegance, sweet spices, a touch of tar, sweet wild strawberry, and ripe cherries all rendered with beautiful cohesiveness due to healthy acid levels. This is already on call to deliver quite generously, though there is room to improve a touch (though not significantly) with another two years in the cellar. A modern approach to winemaking prevails at this address with noteworthy results, and the Bricco san Giuliano is a particularly excellent choice in restaurants or in purchase-and-pop situations.
Monday, September 12, 2011
2008 Abbazia di Novacella Kerner, Valle Isarco, Alto-Adige, Italy
Lime and peach inform the nose of the 2008 Kerner, a bright, flinty white which finds just enough acidity to balance its plump, juicy fruit. The equilibrium and refreshment offered here are enough to warrant recommendation, and a lengthy finish and minerally aftertaste may be considered gratis.
Kerner is a descendent of Riesling which finds its fullest expression in the rugged terroir of the Valle Isarco, the home to the most northerly Vitis vinifera plantings in Italy. Like most of Alto-Adige, production Valle Isarco is dominated by white varieties, with Abbazia di Novacella one of a number of producers whose perfumed, delicate and delicious offerings are well worth discovering. Here, wines are marked by elevated, cleansing acidities due to a cool climate and the majority of producers produce pure, vivid wines that show no wood influence whatsoever. Add to that gracious alcohol levels, and all the pieces are in place for profoundly food-friendly wines. Indeed, varietal wines made from Sauvignon and Kerner (among a number of other grapes, many of them indigenous) are sure to prove fabulously versatile at the table, marrying memorably with dishes ranging from oven-roasted chicken to more delicate seafood preparations.
Friday, September 9, 2011
Harvey's Cream Sherry, Spain
Far and away the most popular Sherry in the world, the Harvey's Cream shows abundant roasted nut aromas, with secondary nuances of carmel and browned butter. Toasty and hearty on the palate, this versatile, full-bodied sherry possesses low acidity, a plush mouthfeel, medium sweetness as well as classic and recognizable Cream Sherry typicity. It will not gain additional complexity in the bottle so waiting is unnecessary, and this label's wide availability, simple charms and affordability make it a solid option in Cream Sherry, particularly in colder months.
Tuesday, September 6, 2011
2007 M and D Phillips, 7 Deadly Zins, Lodi, California
The 2007 Zinfandel is produced from sourced fruit, and displays aromatics redolent of black pepper and grilled meats together with ripe cherries and raspberries. Here is a jammy, briery, savory, full-bodied wine with lots of sharp acidity and aggressive tannins, which, together with the notable fruit intensity, amount to a broad, virile, potent offering. The finish is marked by a drawn out, slowly yielding note of black pepper. This is an excellent value and offers a great deal of flavor for the money.
Friday, September 2, 2011
2006 Ramey Syrah "Shanel Vineyard," Sonoma Coast, California
The 2006 Shanel Vineyard Syrah weighs in at a lofty 15% alcohol and exhibits an exotic nose dominated by smoke and game, with earthy dark fruit and black pepper playing supporting roles. (Like the 2007 Hudson Vineyard Chardonnay tasted a few days ago (96 points), there is almost no perceivable oak on the nose.) Today, the wine's formidable, firm tannins prove difficult and bottle age will be necessary to add a bit of weight to the mid-palate as well as bleed some tannin. If you are drinking this well in advance of the projected maturity window, decanting is absolutely necessary.
I was eager to tear open this bottle after the revelation that was the 2007 Hudson Vineyard Chardonnay. Clearly, the Ramey style could be categorized as one that prizes above all else impressive, pure aromatics, unmanipulated varietal character as well as freshness due to hands-off winemaking. If you think that California wines are all over manipulated, oaky and monolithic...try David Ramey's wines! Working with superbly situated vineyard sites, Ramey consistently harvests healthy, ripe fruit and skillfully presides over transformations into wines of clarity, depth and distinctiveness. After just these two bottles, is clear that the vineyard-designated Chardonnays and Syrahs are wines built for patient consumers, and I suspect that this Syrah will prove much more endearing in a couple years' time. That being said, I honestly expected more here, although the ensuing score reflects the wine's strengths today and an informed optimism for its future.
Thursday, September 1, 2011
2007 St.-Cosme Chateauneuf du Pape, Southern Rhone Valley, France
The saturated ruby/purple 2007 Chateauneuf du Pape, from purchased fruit comprised of 50% Grenache, 30% percent Mouvedre and the rest Syrah and Counoise, sends up aromatic notions of crushed rocks, spice box, incense, pepper and bushels of red fruits. It possesses admirable purity, a silky mouthfeel, and a lively, sophisticated texture as well as excellent length. This well-endowed beauty has plenty of vibrant acidity to ensure pleasurable short term consumption, although it needs several more years to strike a more dramatic balance between its fruit and structure and to allow for the emergence of other textural dimension and nuance. It will drink well for two decades if not longer.
Louis Barruol, the man behind Chateau de Saint-Cosme, has been on fire as of late and consistently presents an outstanding portfolio of wines. Most noteworthy are his top offerings from Cote Rotie ($75) and Chateauneuf du Pape ($50), while the widely availble Cotes-du Rhone ($15) and Little James series ($13) leave little to be desired. The latter is a multi-vintage blend of almost entirely Grenache, some of which sees carbonic maceration. The Cotes-du-Rhone (2010 previously reviewed, 87 points) is a perennial best-buy as it tends to show fabulously well out of bottle, seldom shows any hard edges and in most vintages has the capacity to actually improve in bottle.
For his Chateauneuf du Pape, Barruol prefers second use or older barrels, promoting a candid expression of terroir. While he has a track record for producing moving wines even in challenging vintages (see his 2008 Gigondas for confirmation on this account), it is in such outstanding years as 2005 and 2007 that Barruol is able to transform his raw materials into truly outstanding, and indeed, world class wines. Draconian selectivity at the chateau level, obsessive hands-on vineyard management practices along with patient and informed elevage are the hallmarks of Barruol's genius. As I have stated elsewhere, Barruol along with Marcel Guigal at Guigal are the two most successful negociants in the Rhone, or anywhere on the planet for that matter.
Finally, mention must be made of Cosme's labeling practices. The only estate vineyards are in Gigondas (a tiny appellation northeast of Chateauneuf du Pape in the southern Rhone), so these cuvees are thus bottled under the Chateau de Saint-Cosme label. The rest of their portfolio is vinified from grapes purchased under Barruol's highly selective watch, and those wines are simply labeled Saint-Cosme.